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Percussionist
who served in the United States Air Force in the 702nd Air Force
Band in Omaha, Nebraska, as well as the Drum and Bugle Corps and Bandsman
Training School, where he taught—what else—percussion. After his tour of duty, he returned
home to Chicago, Illinois, where he was a member of one of the television
studio orchestras, then packed his bags for Tinseltown
and proceeded to carve out a forty-year career for himself as a session
man. He also was the principal
percussionist for the Pasadena Symphony and worked with the L.A. Opera, and
went on to teach at the University of Southern California.
In the
late ‘50s, he was a member of David Carroll’s orchestra, which
put out the experimental albums, Percussion
in Hi-Fi and Re-Percussion.
Equally adventurous were his collaborations with Esquivel, Other Worlds Other Sounds and See it in Sound. He also played on several Rosemary
Clooney albums which are now available on CD: The
Best of the Concord Years, Concord
Jazz Heritage Series, Songs from
the Girl Singer: A Musical
Autobiography, and White
Christmas.
In the
mid-‘60s, he recorded quite a bit with Dean Martin, appearing on
Dino’s Everybody Loves
Somebody: The Reprise Years
and Lay Some Happiness on Me: The Reprise Years. Dale was a double-threat on Lou
Rawls’ For You My Love, on
which he played marimba and vibraphone.
In the
1970s, he became active in the film industry, performing on the soundtracks
of Electra Glide in Blue and Blazing Saddles. He also continued to record with
some big names in the music industry, including Henry Mancini on his 1975
release, Symphonic Soul and Frank
Sinatra on his 1979 boxed set, Trilogy. Another artist with whom he worked
with was Harry Nilsson, who seemed to appreciate his multi-instrumental
acumen: Dale is credited with
adaptation, mallets, percussion and timpani on the equally verbose Pandemonium Shadow Show/Aerial
Ballet/Aerial Pandemonium Ballet.
Naturally, Dale made the cut on Nilsson’s 16 Top Tracks, released in 1988.
In
1994, he drummed on Eartha Kitt’s
Eartha Quake and returned to the movie
studio with his trusty marimba for the soundtracks of I’ll Do Anything and Quiz
Show. It is probably
unsurprising that he would pop up on a Ray Conniff
album titled I Love Movies. Two years later, in 1999, the two of
them collaborated again on ‘s Country. (An odd title, but if you put Ray Conniff’s name in front of it, it makes a bit
more sense.)
Dale
really got into the Christmas spirit near the end of the millennium: He worked on the soundtrack of the
made-for-TV movie, Merry Christmas,
George Bailey, celebrated A
Christmas to Remember with Amy Grant and a Merry Little Christmas with Linda Ronstadt.
Dale
passed away recently, but he left behind a musical legacy immortalized in
vinyl and in compact-disc form.
He also wrote a popular educational book entitled Well Tempered Mallet Studies, and
apparently that’s him drumming on the theme for the NBC Nightly News.
Sources:
- www.usafband.af.mil/shared/media/document/AFD-070331-011.pdf
- http://www.jazzdisco.org/mercury/20100-cat/a/
- http://www.jazzdisco.org/mercury/1956-dis/c/
- http://microgroove.jp/mercury/SR60029.shtml
- http://www.zoominfo.com/people/Kubota_Ria_624883052.aspx
- http://www.artistdirect.com/nad/music/artist/credits/0,,397426,00.html
- http://www.answers.com/topic/the-best-of-the-concord-years-vocal-music-album
- http://www.allaboutjazz.com/php/article.php?id=4769
- http://comcast.rayconniff.info/original/albums/country.html
- http://www.alegro.de
- http://www.suncoast.com/Eartha-Quake-Front-Page_stcVVproductId1682677VVcatId455365VVviewprod.htm
- http://blog.goo.ne.jp/hakodatenoshito0303/c/4ff91614faae0cdef1e48c785b95994d
- http://www.utstat.utoronto.ca/mikevans/hroberts/sounds/side60s.html
- http://www.softshoe-slim.com/lists/r/ronstadt.html
- lcweb2.loc.gov/natlib/ihas/warehouse/jots/200028017/0001.pdf
- http://www.timmwood.com/electraglide.html
- http://www.imdb.com/title/tt0136399/combined
- http://www.afmusic.org/photo-gallery.htm
- http://www.artistdirect.com/nad/store/artist/album/0,,125276,00.html
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