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Multi-instrumentalist
and songwriter from Parkersburg, West Virginia, who embarked on his career
in the music biz when he was only eleven years old. He went on to serve in the United States
Army in the Second World War.
One of his
first gigs was with Johnny and Jack.
Red Rector was nervous about going onstage at the Grand Old Opry, and Paul filled in for him. Another group he was involved with was
Blue Ridge Mountain Folk, an amalgam of The Callahan Brothers and The Coon
Creek Girls. They were a bit of
a curiosity at the time for their use of electric instruments. As a result, they captured the
public’s imagination and became a staple on radio programs in Kansas
and Texas. In 1941, they cut
several sides for Decca Records.
Other artists
and groups with whom he worked include Roy Acuff,
Rex Allen, Eddie Arnold, Chet Atkins, Lefty Frizzell,
Hank Garland, Sonny James, The Light Crust Dough Boys, The Louvin Brothers, Ray Price, Tex Ritter, and Kitty
Wells.
His career and
life were inextricably linked with Willie Nelson’s. They performed together in the
‘50s and ‘60s at The Levy Club in Dallas, Texas. Paul is credited with teaching
Willie how to play the guitar and purportedly bought one of his songs from
him for $50. He also co-wrote
“Night Life” with Willie and Walt Breeland,
and it became a huge hit for Faron Young.
Paul was busy
in the recording studio, as well.
He appeared on the Eddie Hill compilation, The Hot Guitar, which featured thirty-four tracks recorded
between 1947 and 1957. In the
1950s and 1960s, he featured on records that were popular at square
dances. He became a member of
The Herb Remington Combo and they concentrated on Hawaiian music until
saying aloha in 1971.
Never one to
be hemmed in by one playing style, he showed off his jazz chops by playing
on and producing Willie Nelson’s 1981 album, Somewhere over the Rainbow. Paul could play virtually any
stringed instrument, and once multi-tasked on tenor banjo for Gene Austin
even though he had never played it before.
Later in his
career, he gravitated to the mandola, a large
mandolin, and this was the featured instrument on another
Buskirk-Nelson collaboration, The Nacogdoches Waltz, released in
1992. The title comes from the
name of the town Paul retired, and eventually died, in. He passed away on 16th
March 2002.
In addition to
his musical achievements, he was also a master Mason, Scottish Rite and Shriner at The Arabia Temple in Houston, Texas.
Paul Buskirk
recordings
A Fisher’s Hornpipe (J. Fishar)
Paul’s Boogie (arr. Paul Buskirk)
Remember Me (Scott Wiseman)
Rustic Dance Schottische (arr. Paul Buskirk)
Sources:
- http://www.answers.com/topic/paul-buskirk
- http://www.bartemon.net/news/index.php?val2=1040_10&PHPSESSID=e5c6f21c779ae02baf3eff664e2aef36
- http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=382275022&blogId=409618461
- http://genforum.genealogy.com/buskirk/messages/73.html
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