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Bassoonist who
started out on the piano when he was five years old and attended the Royal
College of Music in London. He studied bassoon under Kerry
Camden and piano under Bernard Roberts and Kendall Taylor.
Not long after
graduating, he landed one of his first studio gigs, as part of the makeshift
band Magnet, who were assembled to record the
soundtrack of The Wicker Man.
In 1985, he
appeared with the Albion Ensemble on their album, Mozart: Serenade in C
minor, K. 388/384a; Serenade in E flat, K. 375.
His other
recording credits include: the
chorale preludes from Komm, Gott, Schopfer, heiliger Geist, BWV 631
and Schmucke dich, o liebe Selle, BWV 654 and “Prelude
and Fugue in E flat major, BWV 552” (“St. Anne”) by
Johann Sebastian Bach; “Concerto after Monn’s
Concerto in D major for Harpsichord”, “Concerto, Op. 42”,
“4 Lieder, Op. 22”, “Die Gluckliche
Hand, Op. 18”, “Kammersymphonie No.
2, Op. 38” and “Variations, Op. 31” by Arnold Schoenberg,
Lawrence of Arabia, and Les Miserables
– The Complete Symphonic Recording.
He joined the Philharmonia Orchestra of London in 1987.
On 22nd
March 1999, he donned biker gear to appear with fellow Philharmonia
bassoonists to perform Michael Daugherty’s “Hell’s Angels”. The evening also included Daugherty’s
“Dead Elvis”, as well as more conventional fare such as “The
Fair Melusine” overture of Felix
Mendelssohn, “Violin Concerto No. 5” (“Turkish”) by
Mozart, and “Symphony No. 4” by Peter Ilyich
Tchaikovsky.
The Philharmonia appeared at Royal Festival Hall on 23rd
April 2005 in a program that comprised the “Prelude und Liebestod” from Richard Wagner’s Tristan und Isolde,
Also Sprach
Zarathustra, Op. 30 by Richard Strauss, and “Piano Concerto No. 5
in E flat, Op. 73” by Ludwig van Beethoven, with Emanuel Ax at the keys.
In October
2005, Michael and his Philharmonia
contemporaries, horn player Laurence Davies, percussionist Peter Fry,
oboist David Theodore and clarinetist Mark van de Wiel,
delivered the world premiere of Anthony Bailey’s “Reflections”.
Tugan Sokhiev conducted the Philharmonia
on 15th April 2010 at Southbank Centre in London in a concert that opened with
Nicolai Rimsky-Korsakov’s “Russian Easter Festival Overture,
Op. 36” and was followed by Dmitri Shostakovich’s “Piano
Concerto No. 2 in F, Op. 102” with soloist Yevgeny
Sudbin, and Igor Stravinsky’s The Rite of Spring.
Sources:
- http://www.philharmonia.co.uk/orchestra/players/bassoons/michael_cole/
- http://www.wicker-man.com/musicofthewickerman.php
- http://en.wikipedia.org/wiki/Magnet_(band)
- http://www.discogs.com/Mozart-Albion-Ensemble-Serenade-In-C-Minor-K388384a-Serenade-In-E-Flat-K375/release/2644880
- http://www.cduniverse.com/search/xx/music/pid/1519832/a/Complete+Symphonic+Recording.htm
- http://www.artistdirect.com/artist/credits/michael-cole/647351
- http://www.independent.co.uk/arts-entertainment/classical-review-biker-bassoonists-from-hell-1083062.html
- http://www.philharmonia.co.uk/thesoundexchange/projects/liveevent/images/prog_notes.pdf
- http://www.antbailey.com/chamber.html
- http://www.classicalsource.com/db_control/db_concert_review.php?id=8111
- http://www.usc.edu/libraries/archives/schoenberg/as_disco/names/groups/philharm.htm
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