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Bassist from
San Antonio, Texas, who started out on the ukulele at the tender age of six
and eventually graduated to bass and guitar. His professional career as a musician
started with a dance outfit in his home town when he was only seventeen
years old. Later on, he would
hit the road and play with similar groups in Missouri and Arkansas, and
spent some time in an Army Air Force band.
Upon moving to
L.A. in 1947, he quickly found himself playing with Louis Armstrong’s
All-Stars. He also proved to be
a valuable session man, recording with the likes of Benny Goodman and Jess
Stacy in the 1950s. Around this
time, he hooked up with Pete Fountain, and was a member of his quartet and
quintet. Many of their
recordings are available on Pete
Fountain Presents the Best of Dixieland, released on CD in 2001, and
recorded between 1950 and 1968.
Morty also
performed on Bob Crosby’s TV program from 1954 to 1957, along with Jack
Sperling, a drummer who was also in The Pete
Fountain Quintet. In 1956, Morty appeared on the Kid Ory
album, This Kid’s the Greatest! Around this time, he was also making
preparations for his first, and it turns out, only album as a bandleader, Strictly from Dixie, released in
1957. In 1958, he made another
foray into television, this time on Playhouse
90 with The Kingston Trio.
He also recorded “Scarlet Ribbons” with the trio and was
back in the studio with Pete Fountain for Pete Fountain’s New Orleans, which hit the shelves in
1959. On 16th March
1961, The Pete Fountain Quintet performed in concert at the Civic
Auditorium in Santa Monica, California.
During his
time in California, Morty became very enamoured of Disneyland, and they,
him. He performed in several
bands at Disneyland, and introduced his son Gary to The Imagineers,
who were instrumental in the building of the Hallowed Haunting
Grounds. Morty
turned his own house into a hallowed haunting ground in 1973, an avocation
that became more and more elaborate over the years. Culling tricks of the trade from the
special effects people at Disney, he made sure his house was the place to
trick-or-treat on Halloween until his death in 1996.
There are
plenty of opportunities to hear Morty’s bass lines in the CD era, on
albums such as Benny Goodman
Chronological Classics 1951-1952, Ricky Nelson’s For You: The Decca Years, and The Very Strange Story of Dean
Reed: The Red Elvis! (Now, that’s scary.)
Sources:
- http://www.artistdirect.com/nad/music/artist/card/0,,417454,00.html
- http://www.imdb.com/name/nm2470406/
- http://www.lala.com/artist/Morty_Corb
- http://www.hauntinggrounds.org/hhgmc.htm
- http://query.nytimes.com/gst/fullpage.html?res=9C01E1DB1139F934A25752C0A960958260
- http://www.allaboutjazz.com/php/musician.php?id=12913
- http://www.cduniverse.com/search/xx/music/artist/Morty%20Corb/a/Morty%20Corb.htm
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