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Drummer from
Philadelphia, Pennsylvania, who could tap-dance practically by the time he
could walk, and tried out the bass, trombone and vibes before settling on
the drums in junior-high school.
He played in the school band, but professional work beckoned, and he
joined The Orioles at the age of sixteen. Purportedly, he appeared on their
big hit, "Crying in the Chapel", in 1953. He enlisted in the U.S. Marine Corps
in 1956 and played in the Marine band until 1959. Upon completion of his duty to Uncle
Sam, he soon found work with Cat Anderson, Stan Hunter, Bull Moose Jackson
and King James. He moved
to the Big Apple in 1960, and played with a litany of jazz stars
such as Benny Carter, Roy Eldridge, Tommy Flanagan, Dizzy Gillespie
and Joe
Pass
. In 1963, he laid down his first jazz
track, "The Burner", with Red Holloway. He also worked with Bill Davis and
Johnny Hodges, who played saxophone for Duke Ellington. In 1967, he joined The Duke
Ellington Orchestra, but it was a short-lived and tension-filled
tenure. The chronology is fuzzy, but
apparently Duke rode Bobby pretty hard and eventually fired him,
perhaps after a concert which Oscar
Peterson
attended. It is believed that Peterson plucked
him on the spot for his own trio.
The
Oscar Peterson Trio was a better fit for him, as it turned out,
at least when Ray
Brown
was playing bass. Bobby did not get along so well
with Ray's
replacement, Sam
Jones, and the two nearly came to blows on a train trip until Oscar
, a giant of a man, intervened. It is probably just as well for
Bobby. Although he boxed in his
youth, he gave away four inches in height to the normally mild-mannered
Jones. In 1971, he quit the
band and hooked up with another trio, this one led by Monty Alexander. However, he spent the better part of
the '70s performing with Ella Fitzgerald. This partnership began in 1973 or
1974 and lasted until the end of the decade. In 1983, he joined Norman Granz's Jazz at the Philharmonic for a tour of
Japan. He reunited with The
Oscar Peterson Trio in the '90s, this time with the famous
line-up of Ray
Brown and Herb
Ellis
intact.
They recorded a series of live performances at the Blue Note and two
of these won Grammy Awards. In
the new millennium, he spent more and more time overseas, splitting time
between the States and his homes in Basel, Switzerland, and Genoa,
Italy. A well-traveled musician,
according to his own account, Bobby played everywhere except Alaska, Arabia
and Russia. He started the
perennial Bobby Durham Jazz Festival in 2004 on Cantone,
an island near his home in Genoa.
On 6th July 2008, he died of emphysema and lung cancer in
Genoa, Italy. For a good
example of Bobby's handiwork, check out the 1991 boxed set, Oscar Peterson Live at the Blue Note.
Sources:
- http://en.wikipedia.org/wiki/Bobby_Durham_(jazz_musician)
- http://www.independent.co.uk/news/obituaries/bobby-durham-drummer-at-the-heart-of-jazz-865841.html
- http://www.nysun.com/obituaries/bobby-durham-71-jazz-drummer-toured-with-greats/81609/
- http://www.nytimes.com/2008/07/11/arts/music/11durham.html
- http://www.guardian.co.uk/music/2008/aug/09/jazz
- http://www.allaboutjazz.com/php/news.php?id=20371
- http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=107292403
- http://www.cduniverse.com/search/xx/music/artist/Durham,%20Bobby/a/Bobby%20Durham.htm
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