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He is a guitarist born Raymond Quarles Edenton in
Mineral, Virginia who began
life in a musical family where his mother played the piano and his brothers
played the fiddle and guitar.
He started out rapping a metal tray to accompany the
family and after a while learnt how to play the fiddle before going on to
be self-taught on the 4-string banjo and several other instruments such as
the guitar and mandolin. He
began performing at local dances for the princely sum of 25 cents per night
and then joined the army to complete a term of military service during
WWII.
On returning to civilian life in 1946 he went to work
at Richmond, Virginia’s
WMBG Radio as a Rodeo Ranger which was the first step for him before
joining up with two of the other Rangers to become a trio. The trio performed in
Fredericksburg, Virginia, on a radio show and were taken on as an act in a
drive-in show that operated on the east coast of the United States run by
Bob Nicholson In 1948
they went to work at WMFD in Frederick, Maryland, for Sleepy McDaniels before Ray made the decision to leave the
group.
He joined Joe Maphis and the
Corn Crackers as a bass player and singer at WRVA in Richmond,
Virginia, on their Old Dominion Barn Dance.
The following year, in 1949, he went to Knoxville,
Tennessee, where he worked at WNOX on The Mid Day, Merry Go Round radio
show. Here he worked with
several of the big names in country music such as Chet Atkins, The Carter
Family, Don Gibson and Carl Smith.
He also made the first of the many recordings he would work on
during his career when he performed on “Lovesick Blues” by Rd
Kirk in 1949. Everything was
about to change for him though when he contracted tuberculosis and had to
spend the next 28 months in hospital.
After his recovery he went to Nashville
in 1952 and met up with Sleepy McDaniels
again. Sleepy managed to helped him become a front man and guitarist with the
blackface comedy duo Jamup & Honey. The next year he was called upon by
Chet Atkins to play on some of his demo sessions and he began performing at
the Grand Ole Opry regularly and was a member of
the touring bands of many different acts that included Webb Pierce, Ray
Price Marty Robbins and Hank Williams to name just a few.
In 1956 he went to work at Nashville’s
WSIX TV in the band on the Home Folks
Show and he was also a bass player and singer in a trio. Another radio show he appeared on
was Chet and Jerry Byrd’s Two
Guitars where he was a rhythm guitarist and bassist.
Having to change his style of playing the guitar due to
drums filtering into recording studios, he began working with new tuning
and found himself joining up with The Everly
Brothers to record their “Bye Bye
Love” and “Wake Up Little Suzie”.
By the time the 1960s arrive he was becoming one of the
most sought after and acclaimed guitarists in the industry and getting his
name as one of the Nashville A-Team.
In the mid-1960s he performed on Tennessee
Firebird which was one of the pioneering fusion albums between jazz,
country and bluegrass music featuring Chet Atkins, Buddy Emmons and The
Osborne Brothers. Other
1960s work of Ray was done with Boors Randolph and Johnny Cash, where he
was heard by a producer from Columbia
who encouraged him to do a solo album and this resulted in his debut album Ray Edenton Plays Upton Country Music
with guests Floyd Cramer, Charlie McCoy, Buddy Harmon and Harold Bradley
amongst others.
During the 1970s and the ‘80s he was busier than
ever and it has been thought that he performed on thousands of recordings
during those two decades. He
invented a new twin rhythm with his fellow musician Jimmy Capps, and this
sound was heard on hits such as “The Gambler by Kenny Rogers”
and “Crying” by Don McLean.
When the 1990s came along he decided to retire to Old
Hickory Lake
in 1991, leaving behind him a career where he made his mark as an
accomplished and much respected musician.
During the course of his career he has worked with
countless artists in many different genres of music and a very few of these
include Julie Andrews, Eddy Arnold, Moe Bandy, The Beach Boys, Brooke
Benton, Pat Boone, Boxcar Willie, Ed Bruce, George Burns, Henson Cargill,
Vikki Carr, Rosemary Clooney, Sammy
Davis Jr., Skeeter
Davis, The Sir Douglas Quintet, Duane Eddy, Donna Fargo, Narvel Felts, Lester Flatts,
Crystal Gayle, Merle Haggard, Tom T. Hall, Ferlin
Husky, Burl Ives, Tommy James, Waylon Jennings, George Jones, Doug Kershaw,
Brenda Lee, Loretta Lynn, Country Joe McDonald, Reba McEntire,
Bill Medley, Roger Miller, Ronnie Milsap, Robert Mitchum, Mickey Newbury, Buck Owens, Carl Perkins,
Elvis Presley, Ray Price, Charley Pride, Johnny Ray, Charlie Rich, Doug Sahm, Buffy Sainte-Marie, Earl Scruggs, Joe Stampley, The Statler
Brothers, Nat Stuckey, B.J. Thomas, Merle Travis, Conway Twitty, Porter Wagoner, Dottie West, Andy Williams and Faron Young.
As you will have guessed, his albums range into the
hundreds, if not thousands, but some of the include Hard Time Hungrys by Bobby Bare, Back to Sweethearts of the Rodeo by
The Burrito Brothers, Grasshopper
by J.J. Cale, Sentimentally
Yours by Patsy Cline, Scene
Changes by Perry Como, Originals
by Floyd Cramer, Some Days Are
Diamonds by John Denver, Everly
Brothers’ Best by The Everly Brothers, Elite Hotel by Emmylou Harris, Breakaway by Kris Kristofferson
& Rita Coolidge, Killer Rocks
On/Boogie Woogie Country Man by Jerry Lee
Lewis, Mancini Country by Henry
Mancini, Chain Lightning by Don
McLean, Night Life: Greatest Hits and
Rare Tracks 1959-1971 by Willie Nelson, Crying by Roy Orbison, RCA Country Legends by Dolly Parton, Chester
& Lester by Les Paul & Chet Atkins, Unbreakable Hearts by Hargus
“Pig” Robbins, Rock n
Roll Robbins by Marty Robbins,
Live At the Grand Ole Opry by Jim Reeves, Hank Wilson’s Back! by Leon
Russell, Souvenirs by Hank Snow, Best Loved Favorites
by Slim Whitman, Major Moves by
Hank Williams Jr., Best of Bob Wills, Vol. 1 by Bob Wills and Comes a Time by Neil Young.
His contribution to music has been immense with him
being having done 22 sessions in a 5-day stretch at one time and being
estimated to have performed on somewhere in the vicinity of 15,000
recordings. He was recognised
with his induction into the Studio Musicians Hall of Fame and The Musicians
Hall of Fame. He has also won
the NARAS Award for “Most valuable player of rhythm guitar”
each year from 1977 to 1979 and was a member of The Superpicker
Band from 1975 to 1979.
Hargus "Pig" Robbins recordings
Unbreakable
Hearts
Elektra (E-46512-A) (US promo 45)
Sources:
- http://www.rayedenton.com/bio
- http://www.nashvillesound.net/rayedenton.htm
- http://lostandsound.wordpress.com/2008/01/17/ray-edenton-and-the-secret-of-his-nashville-guitar-tuning/
- http://www.discogs.com/artist/Ray+Edenton
- http://test.allmusic.com/cg/amg.dll?p=amg&sql=11:0bfyxqw5ldje~T4
- http://test.allmusic.com/cg/amg.dll?p=amg&sql=11:0bfyxqw5ldje~2~T40B
- http://test.allmusic.com/cg/amg.dll?p=amg&sql=11:0bfyxqw5ldje~3~T40B
- http://test.allmusic.com/cg/amg.dll?p=amg&sql=11:0bfyxqw5ldje~4~T40B
- http://test.allmusic.com/cg/amg.dll?p=amg&sql=11:0bfyxqw5ldje~5~T40B
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