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Arranger, band-leader,
composer, pianist and producer who started out tickling the ivories with
Ruth Brown in the 1940s and collaborating with Taft Jordan in
the 1950s.
In 1953, he
was hired as the arranger, Artist & Repertory director and musical
director of Rama Records, where he worked with the Blue Notes, the Five
Buds, and the Larke Sisters. He also recorded under his own name—which
is sometimes spelled “Bert”—songs such as “Write Me
Baby” and “I Was a Fool”. After just four years, however, Rama
closed its doors.
On 25th
June 1958, the Crests recorded “Pretty Little Angel”, which was
co-written by Burt along with Johnny Mastro and
Luther Dixon.
Burt played
piano on the Bear Family track “Crawfish” on 30th June
1958. The session was led by
Jesse Stone with vocals by the Stone Crushers and a rhythm section of Doles
Dickens, Joe Marshall, and Walter Spriggs. Everett Barksdale and “Wally”
Richardson traded electric-guitar licks.
Also in 1958, Burt
released “I Got Eyes” backed with “If You Are But a Dream”
and the Crests released his song “Beside You”. The Crests also issued a single of “Gee
(But I’d Give the World” in 1960.
Burt arranged
two of 1962’s biggest hits, “Any Day Now” by Chuck
Jackson and “Soldier Boy” by the Shirelles. He also arranged and conducted “If
I Never Get to Love You”, a Burt Bacharach-Hal David song recorded by
Lou Johnson.
In fact, the
1960s were dotted with Burt’s songs being recorded by big-time acts
such as Jerry Jackson (“Always”), Peaches and Herb (“It’s
True I Love You”), the Ronettes (“Good
Girls”), Dionne Warwick (“Oh Lord What Are You Doing to Me”)
and Jackie Wilson (“Who Am I”).
In 1968, Burt
co-wrote “Love on a Two-Way Street” with Sylvia Robinson and—some
say—Lezli Valentine, who recorded it. It was The Moments’ version
that became the big hit in 1970, topping the soul chart and crossing over
to #3 on the pop chart. Burt
also arranged and played piano on the track.
In 1976, he
composed the music for the children’s film, Hugo the Hippo. This
was followed by “I’ve Got to Dance to Keep from Cryin’”, “The Hustle” and “The
Bus Stop”, and “Tear after Tear”, which was recorded by
Jeanette “Baby” Washington.
Burt was
active throughout the remainder of the ‘70s. Some of the artists he worked with
included LaVern Baker, Willie Bobo,
Albert King, and Sylvia Robinson.
On 21st
July 1987, he passed away in Central
Islip, New York.
One does not
have to look far to find Burt Keyes’s handiwork in CD form or on the
internet. His songs continue to
turn up on albums such as Hold Me,
Thrill Me, Kiss Me by
Gloria Estefan, Hot Rod Gang (which
features “Stop Jivin’ Start Drivin’”) and Roots of Rock ‘n’ Roll.
His piano stylings were heard on the Grammy-winning rap song of
2011, “Empire State of Mind” by Jay-Z and Alicia Keys, which
samples “Love on a Two-Way Street”.
The Moments recordings
Love on a
Two-Way Street (Burt Keyes/Sylvia Robinson) (Lezli
Valentine: Uncredited
Lyrics)
(LP: Not
on the Outside, but on the Inside, Strong!)
Sources:
- http://www.allmusic.com/artist/bert-keyes-p93588/biography
- http://www.elvis-collectors.com/forum/viewtopic.php?f=1&t=57416&start=50
- http://www.soulfulkindamusic.net/coral.htm
- http://launch.groups.yahoo.com/group/JohnnyMaestroFans/message/6513
- http://haldavid.com/songbook_3.htm
- http://www.hitparade.ch/showperson.asp?name=Burt+Keyes
- http://en.wikipedia.org/wiki/Love_on_a_Two-Way_Street
- http://www.fandango.com/burtkeyes/filmography/p161890
- http://www.hello.dj/burt-keyes
- http://www.discogs.com/artist/Bert+Keyes
- http://www.sesac.com/News/News_Details.aspx?id=1458
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