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This society was first established in London, England,
specifically for the performance and study of music that was no less than
100 years old. It had
originally been the Academy of Vocal Music co-founded in 1710 by the German composer
Johann Christian Pepusch, the composer and oboist
John Earnest Galleard and Bernard Gates who was
employed at the Queen’s Chapel amongst others and renamed the Academy of Ancient Music in 1726.
The century-old rule didn’t continue though as the
works of more and more composers that were active in more recent years
crept in and enlarged their repertoire. Johann Christoph
Pepush became a director of the Academy in 1735
and remained there until his death in 1752 with Benjamin Cooke, who had
previously sung as a boy soprano at the Academy, becoming his successor.
He, in turn, was succeeded by the composer and organist Samuel Arnold in
1789.
The Academy seemed to dissolve during the early 19th
century but more than 150 years later in 1973 the harpsichordist and
conductor Christopher Hogwood decided to revive
it and use period instruments to give performances of compositions from
predominantly the 18th century. He also brought in choirs to
accompany them when necessary and these came from colleges or cathedrals or
by their own Academy
of Ancient Music Chorus.
23 years after he brought the Academy back and directed
them, Christopher Hogwood brought in Andrew Manze to act as his Associate Director and also Paul
Goodwin who became their Associate Conductor and brought in many
commissions of new works by contemporary composers such as David Bedford, Thea Musgrave, John Woolrich
and John Tavener. Andrew Manze
was succeeded in 2005 by Richard Egarr after he
had resigned the post two years previously in 2003.
In 2006 Christopher Hogwood
left his position as Music Director and became an Emeritus Director of the
Academy.
Currently the orchestra-in-residence at the University of Cambridge, they are known for their
many live performances where they have given concerts at several acclaimed international
venues with Amsterdam Concertgebouw, the Barbican, Wigmore Hall as some of many and also featuring
at the BBC Proms.
From their revival in 1973 the Academy of Ancient
Music has been extremely active in the studio
and totting up over 300 pioneering recordings to date. They have regularly won awards since
1978, including a 1995 Grammy Award, and are recognised
for their recordings of all of Beethoven’s symphonies and piano
concertos and also being the first to use period instruments to record
Mozart’s entire catalogue of symphonies. They have made recordings of many other
acclaimed works by composers that include J.S. Bach, Geminiani,
Handel, Haydn, Pergolesi, Purcell, Schutz and
Vivaldi.
Sources:
- http://www.aam.co.uk/#/who-we-are/aam-story.aspx
- http://www.aam.co.uk/#/who-we-are/awards.aspx
- http://academyofancientmusic.wordpress.com/
- http://www.facebook.com/academyofancientmusic
- http://www.bach-cantatas.com/Bio/Academy-Ancient-Music.htm
- http://www.discogs.com/artist/Academy+Of+Ancient+Music,+The
- http://en.wikipedia.org/wiki/Academy_of_Ancient_Music
- http://en.wikipedia.org/wiki/Johann_Christoph_Pepusch
- http://en.wikipedia.org/wiki/Benjamin_Cooke
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