|
R&B outfit
that grew out of the ashes of The Domingoes, a
doo-wop quintet from suburban Detroit that started out in the 1950s. In 1961, they changed their name to
The Spinners. At this time,
their line-up comprised George Dixon, Henry Fambrough,
Billy Henderson, Pervis Jackson, and Bobbie
Smith. They were named after
the spinning motion of a hubcap on an automobile tire, appropriate for the
Michigan-based five-some.
Harvey Fuqua
inked them to a deal with Tri-Phi Records and they quickly scored a hit
with their recording of “That’s What Girls Are Made
For”. The song went to
the top ten on the R&B charts and reached #27 on the pop chart. Its follow-up did not fare so
well: “Love (I’m So
Glad) I Found You” barely cracked the Billboard Top 100. Subsequent recordings failed to
chart altogether.
In 1963,
George Dixon was supplanted by Edgar “Chico” Edwards and
Tri-Phi was bought out by Motown big-shot, Berry Gordy. They did their first show at the esteemed
Apollo Theater in 1964, and it was a smashing success. In 1964, they reached the top forty
with their rendition of “I’ll Always Love You”. From 1966 through 1969, they issued
singles at the snail’s pace of one per year, but only one of these,
“Truly Yours”, enjoyed success, lighting up the R&B chart
in 1966.
Motown was not
kind to The Spinners, frequently employing its individual members as
chaperones, chauffeurs, road managers, and shipping clerks. In 1969, it shipped them to its
fallaciously titled V.I.P. imprint, which was at the bottom of the Motown
feeding chain. The Spinners
manage to elude obscurity in 1970 when they reached the top twenty with
“It’s A Shame”, co-written by Stevie Wonder and Syreeta Wright.
In spite of its international success, Motown wasted little effort
in promoting the group and let their contract expire a couple years
later.
Aretha
Franklin apparently encouraged them to switch to Atlantic Records. The move turned out to be lucrative
for everyone involved. At Atlantic,
they were paired with Thom Bell, a producer who was credited with helping
to shape “The Philly Sound”, a blend of Motown harmonies with
the trappings of ‘40s and ’50s big-band music.
The
collaboration reaped rewards immediately. Their self-titled album, released in
1972, yielded four top-ten hits plus one more top-100 hit, for good
measure. Songs like
“Could it Be I’m Falling in Love” and “I’ll
Be Around” helped define The Spinners’ sound. They followed this up with Mighty Love, which boasted three
songs in the top twenty, including the title track, “Love Don’t
Love Nobody”, and “I’m Coming Home”. Their first and only #1 would come
in the form of a duet with Dionne Warwick entitled “Then Came
You”. They flirted with
the top of the charts over the next couple of years with “The Rubberband Man” (#2) and “They Just
Can’t Stop it the (Games People Play)” (#5). Then the hits dried up and Thom Bell
and The Spinners went separate ways.
In 1979, The
Spinners found themselves hit-less and producer-less. That all changed when they teamed up
with a producer named Michael Zager who put them
back on the charts with “Working My Way Back to You/Forgive Me
Girl”. It topped the
charts in the U.K. and reached #2 in the States. The formula worked again with
“Cupid/I’ve Loved You for a Long Time”, which went to #4
in both countries. Their final
foray into the top 100 was a curious one: In 1983, they scored a modest #67
with a cover of “Funny How Time Slips Away”, which was penned
by Willie Nelson. They did
manage to hit the R&B chart one more time with “Right or
Wrong” in 1984.
Once their
reign on the charts was over, The Spinners took their show on the
road. In the late ‘80s, a
wave of nostalgia overcame the country, and the demand for oldies had lured
a lot of artists and groups out of retirement. The Spinners, who had no intention
of retiring, were ripe for the oldies circuit. Their second career has been, in a
way, as successful as the second act of their run as one of the
longest-running bands in history.
They continue to perform to this day.
In 1999, they
were enshrined in the Vocal Group Hall of Fame. As recently as 27th July
2006, they appeared on The Late Show
with David Letterman. More
personnel changes took place in 2009:
Jessie Robert Peck joined the group in February and Marvin Taylor
replaced Harold Bonhart months later. This is their current line-up: Henry Fambrough,
Jessie Robert Peck, Bobbie Smith, Marvin Taylor, and Charlton
Washington.
The Spinners
have a dozen gold records to their credit, their own star on the Hollywood
Walk of Fame, and the Rhythm and Blues Foundation Award.
Members:
Harold "Spike" Bonhart
G. C. Cameron
George Dixon
Edgar "Chico" Edwards
John Edwards
Henry Fambrough
Billy Henderson
Pervis
Jackson
Jessie Robert Peck
Bobbie Smith
C. P. Spencer
Marvin Taylor
Charlton Washington
Frank Washington
Philippé
Wynne
The Spinners recordings
Disco Ride (Jolyon
Skinner/Eltesa Weathersby/Michael
Zager)
Working My Way Back to You/Forgive Me
Girl (Sandy Linzer &
Denny Randell/Michael Zager)
Sources:
- http://en.wikipedia.org/wiki/The_Spinners_%28U.S._band%29
- http://www.thespinnersmusic.com/the-spinners-biography.html
- http://music.aol.com/artist/the-spinners/1004736
- http://www.answers.com/topic/the-spinners-u-s-band
- http://www.soultracks.com/spinners.htm
- http://www.myspace.com/thespinnersofficial
|